she shot me.
girls + cameras.
_____________
my main blog: [finally i am no one.]
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- finallyiamnoone
- date:
- Apr 8, 2012 (a Sunday)
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- 5:49:21 (1 month ago)
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untitled by fabiolanotte on Flickr.
Mamiya C33
Mamiya-Sekor 55mm f4.5
Fortepan 100 developed in AGFA Rodinal (1+50)(via itsthecamera)
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- Apr 3, 2012 (a Tuesday)
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- 8:19:19 (1 month ago)
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- Mar 30, 2012 (a Friday)
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- 7:02:49 (1 month ago)
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- date:
- Mar 26, 2012 (a Monday)
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- 8:32:44 (2 months ago)
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Self-portrait by Sally Mann, 1974, from Still Time series.
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- Mar 26, 2012 (a Monday)
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- 8:27:52 (2 months ago)
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Aw, the Instamatic. Camera of my childhood. It took these beautiful square-format pictures and they always got developed with a white frame border. And flashbulbs! Little plastic cubes that explode. So weird and bygone.
(via itsthecamera)
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- Mar 2, 2012 (a Friday)
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- 8:08:18 (2 months ago)
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- Mar 2, 2012 (a Friday)
- time:
- 8:07:13 (2 months ago)
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- date:
- Mar 2, 2012 (a Friday)
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- 8:02:28 (2 months ago)
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Like everyone who shot on the handful of 20x24s Polaroids made, Dorfman started by renting the camera. She shot portraits of anyone who would pay her, and slowly her style and aesthetic started to evolve.
“I seem to be the kind of person who doesn’t know where she’s going, but about three quarters of the way there I say, ‘Oh, I’m doing such and such,’” she said. “I would be too afraid to think about [a direction] for fear I would ruin it or that I would be too self conscious.”
After thousands of shots on the giant Polaroid, some of which hang in permanent collections at places like the National Portrait Gallery, and lasting influence in the photo world for her work, Dorfman refuses to categorize herself as a “name.”
(via Gear Behind the Career: Elsa Dorfman and the Giant Polaroid Camera | Raw File | Wired.com)
(via itsthecamera)
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- Feb 24, 2012 (a Friday)
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- 7:54:21 (3 months ago)
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- date:
- Feb 24, 2012 (a Friday)
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- 8:54:16 (3 months ago)
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- date:
- Feb 7, 2012 (a Tuesday)
- time:
- 8:17:18 (3 months ago)
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- date:
- Feb 7, 2012 (a Tuesday)
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- 7:46:55 (3 months ago)
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Bubley, Esther„ photographer. Arlington Cemetery, Arlington, Virginia. A girl taking a picture of the ceremony of laying a wreath on the Tomb of the Unknown Soldier 1943 May.
(via itsthecamera)
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- Feb 4, 2012 (a Saturday)
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- 2:56:20 (3 months ago)
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Peter Stackpole Model Suzy Parker, on the Other Side of the Camera 1953
(via itsthecamera)
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- Feb 1, 2012 (a Wednesday)
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- 9:25:02 (3 months ago)
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- date:
- Jan 28, 2012 (a Saturday)
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- 8:23:33 (4 months ago)
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![bandh:
Like everyone who shot on the handful of 20x24s Polaroids made, Dorfman started by renting the camera. She shot portraits of anyone who would pay her, and slowly her style and aesthetic started to evolve.
“I seem to be the kind of person who doesn’t know where she’s going, but about three quarters of the way there I say, ‘Oh, I’m doing such and such,’” she said. “I would be too afraid to think about [a direction] for fear I would ruin it or that I would be too self conscious.”
After thousands of shots on the giant Polaroid, some of which hang in permanent collections at places like the National Portrait Gallery, and lasting influence in the photo world for her work, Dorfman refuses to categorize herself as a “name.”
(via Gear Behind the Career: Elsa Dorfman and the Giant Polaroid Camera | Raw File | Wired.com)](http://24.media.tumblr.com/tumblr_lz11jicafA1qzi0wro1_r1_500.jpg)




